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Giotto’s Room seems an apt title from which to depart a proto-renaissance of new perspectives in the digital age, and the work of Aisha Christison and Bea Bonafini renounce the trappings of new media, employing materiality as something collaged, something that is abraded, something binding and resilient but that is not without frayed edges. The exhibition’s tactility, its unique ability to be lived and inhabited with relative freedom is its spatial product and gift. Like the

The echo of Giotto’s work still resonates in the present days. The artists chosen by Lucy von Goetz to pay homage to the Italian master in this exhibition have both explored methods of figuration that engage and challenge our perception of space.

Entering the Arena Chapel in Padua, one walks into an ancient jewel box; drenched in the deep blue of Giotto’s skies. John Ruskin described Giotto’s frescoes as a, “rainbow play of brilliant harmonies”. Giotto was adorning the surfaces of Italian architecture in the 14th century, taking the touchstone for our exhibition, “Giotto’s Room”, back to the very roots of modern painting.

31 May - 28 June 2026 Image courtesy of von Goetz and Crowsley Park von Goetz is pleased to announce A Place Between the Pines , a 16-artist exhibition hosted at the historic Crowsley Park estate in South Oxfordshire, from 31 May - 28 June 2026. Leading contemporary artists from ten countries - Max Bainbridge, Johanna Bath, Alicja Biala, Anna Blom, Salvatore Fiorello, Lavinia Harrington, Beatrice Hasell-McCosh, Jin Han Lee, Callum Harvey, Henry Hudson, Jemima Moore, Polina Pi

By Lucy von Goetz Anna Jermolaewa represented Austria in the 2024 Venice Biennale. When something sticks with you for some two years or more you must ask yourself why. Jermolaewa’s work encompasses the beauty that can be found in simplification, the ability to distil something enormous into something tiny. Along with their artistic potency, Anna Jermolaewa’s works possess poetry and humour. They are characterised by an acutely vigilant sense of human and social nuance and o

By Kaitani Wakana Published: SEP 8, 2025 ​ In recent years, there has been a surge in attempts to break away from the white cube (a space with homogeneous white walls) and incorporate space and architecture as part of the artwork. The art experience is not complete with the artwork alone. The meaning of the art experience is determined by the history of the exhibition space and building, the cultural background of the audience, the ingenuity of the exhibition design, and even

By Rosalie Clement Hennion The first light is always natural. For Tereza Červeňová, photography begins in a sunlit moment, a fleeting alignment of light and form, a shimmer of time suspended. Then comes the darkroom, the alchemical counterpoint: film wound, paper curved in her hands, gestures repeated until the image takes shape. “Analogue material is very fragile, yet it is rich in tones and densities,” she reflects. “It needs care and gentleness. The alchemy stored within

By Stephen Short Published: JUL 25, 2025 07:56 PM HKT ​ A powerful new chapter in contemporary Chinese art’s relationship with London –...

FORBES Text Lee Sharrock ​ A Fusion of Eras and Aesthetics: Xu Yang’s ‘Forget Me Not’ Reimagines Rococo Splendor Through an Asian and...

DAZED Text Halima Jibril Shandong-born, London-based artist Xu Yang reimagines aristocratic portraiture through wigs, dogs and mythical...

FETCH MAGAZINE There’s something vaguely cinematic about arriving at a château in Normandy on a June afternoon, train legs still warm...

Edited by Beata Li From the ornate salons of Versailles to the intimate clay-formed dumpling, Xu Yang's visual language is both opulent...

The prestigious von Goetz gallery will present “Forget Me Not,” a solo exhibition by Chinese-born artist Xu Yang at the historic Château...

Château de Lantheuil, a castle in Normandy, France, is the setting for Forget Me Not, a solo exhibition by Chinese artist Xu Yang,...

In 2017 when setting up the Post_Institute in Brixton, von Goetz tried to find possibilities in a world of cities where undefined space...

We were delighted to be sharing a home with Apsara Studio as our new London base from October 2024 - May 2025. Operating as a creative...

Xu Yang at the Château de Lantheuil By Lucy von Goetz Forget Me Not presents a lavish, reflective, and culturally layered exploration of...

By Lucy von Goetz An exquisite peace obtains: a drowsy, golden peace, flowing honey-sweet over my dwelling, soaking it, dripping like...

By Lucy von Goetz You can think and think a question, the purpose of waiting, the question of whether there is any purpose, any person...

By Lucy von Goetz Xu Yang’s studio is brimming with treats, a palace of intricate narrative-laden paintings. The materiality and...